Tag Archive for 'MGMT'

iPhone Instrumentals

Thanks to the multitude of applications available from Apple’s App Store, creating music through your phone has come a long way since Towelie’s “Funky Town.”

In fact, some, like rising YouTube sensation The Mentalists, are taking these applications quite seriously. Check out this band’s covers of MGMT’s “Kids” or Estelle’s “American Boy”.

Stanford University even has its own iPhone ensemble, called the Mobile Phone Orchestra, or MoPhO. MoPhoO director, Ge Wang, developed his own application for the group, called Ocarina, which turns the iPhone into a woodwind-like instrument sensitive to touch, movement, or breath.

The App Store has music applications for everything from digital drum pads to mash-up machines to kazoos. Some of the most popular include Jumpei Wada’s Mini Piano, Curious Brain Inc.’s TouchCords, and Magnus Larsson’s DigiDrummer Lite, all free. These apps are very user friendly, allowing even the least music-tech savvy people try their hand at a little music production.

Just another way technology is allowing a more hands-on experience for enjoying music, much like MixMatchMusic’s Remix Wizard allows artists to bring fans into the mix through remix promotions. For an Evolving Music list of other cool music related apps check out this earlier post.

11 Songs to Be Thankful For, Vol. 2

For last year’s 11 Songs to Be Thankful For, click here.

I know you’re in pain. The music industry, no less than last year, is inundated with made for radio pop songs meant to burn brightly in the minds of middle schoolers, sell millions of copies and then fade quickly into the one hit wonder used CD bins. Some will make club playlists and stay relevant for another year or two, but most will be either forgotten or turned into the butt of some future musical joke. But these simplifications overlook a large cross section of musicians from all genres that are producing quality music that not only can get stuck in your head, but won’t make you want to put a loaded revolver to your temple to get them out. In fact, months later, these songs are still gripping and enjoyable.

Thanksgiving is over, but while you’re eating some leftovers, there’s still much to be thankful for in the way of music. For each month, a main song that stood out above the others with the album you can find it on, and a second song that I give honorable mention to for being generally kick ass. But since life isn’t a one man affair, I invited my roommate, who receives the same monthly iPod updates (see the “What I’m Hearing” posts… the links in the month names will get you there), to give her input on what songs grabbed her focus this year. 11 months, 1 main song, 1 honorable mention and 2 recommendations from the roommate will give you about 44 fantastic songs you haven’t listened to yet. I say about because in some cases you may have heard a song, and in others, we picked the same one. Enjoy!

Jan: “Breathe Me (Mylo Remix)” (Breathe Me EP) by Sia. Most people had their first introduction to Sia’s heartbreaking song through the final 5 minutes of the HBO series Six Feet Under. The song, steeped in lament and longing, is nostalgic and only further inundated with emotion from Sia’s haunting voice that at times seems to whisper. On this EP version, Mylo remixes the song by fleshing out a lush electronic sound with bass and digital flourishes around the vocals and speeding up the main melody. The result is a moving and dance-able, yet still emotional track. Honorable Mention: “Way Down in the Hole” (The Wire Soundtrack) by The Blind Boys of Alabama

Jessie’s Picks: 1) “Nudez” (Rainydayz Remixes) by AmpLive. “Mushaboom (Postal Service Remix)” (Open Season) by Feist.

Feb: “Campus” (Vampire Weekend) by Vampire Weekend. When this album came out, I positively reviewed the whole thing, and now, many months later, it hasn’t lost its luster for me. With “Campus” the group uses simplicity in the vocals and instrumentation to evoke the feeling of days at college and crushes (if your college crush happened to be a professor.) The staccato lead up to the frenetic chorus is an instantly attainable indie pop that also brings to mind a Killers tune on Xanax. With the line, “In the afternoon you’re out on the stone and grass/and I’m sleeping on the balcony after class” the song takes me back to my own college balcony naps. Honorable Mention: “Weightless” (Lucky) by Nada Surf

Jessie’s Picks: 1) “Cape Cod Kwassa Kwassa” (Vampire Weekend) by Vampire Weekend. 2) “The Chills” (Writer’s Block) by Peter Bjorn and John

March: “Front Steps, Pt. 2 (Tough Love)” (Absolute Value) by Akrobatik. This song is haunting both lyrically and musically. The solid production includes a piano sample and string overtone that sound like they’ve been submerged in water. The murkiness is then combined with scratches and a bass and drum line that provide it with a depth that comes off simultaneously polished and street rough. All of this is so that Akrobatik can provide an incredible song about the economic and social plight within the project communities, the current state of hip-hop and the need for change within the criminal justice system. He exhorts the youth to avoid the drugs and black on black violence that help oppress them, and strive for something better by offering them his honest take in the form of “tough love.” His lyrics come from a seriously educated perspective as he recognizes that the format of the ghettos allows the upper middle class to ignore riots and financial losses inflicted by them (“And when we riot they won’t care about the dollars lost/they’re sipping cocktails while we’re throwing Molotovs“) and sees the difference between a middle class white education and the education provided in inner city schools. The entire song is filled with lines that are both mentally stimulating and potent in rhyme scheme (full lyrics here). One of the best hip-hop lines of the year comes from this song, “This ain’t a war on drugs, it’s a war on thugs/they supply the guns, we supply the bodies with slugs.” Easily in the contention for my top 5 songs of the year. Honorable Mention: “Live 4 Today” (Break A Dawn) by Zion I

Jessie’s Picks: 1) “Opening Act” (Garbage Pail Kids) by Sene and Chief 2) “Muddy Water Stomp” (Garbage Pail Kids) by Sene and Chief

April: “The Things That We Could Share” (Soundboy Rock) by Groove Armada. Here’s one the roommate and I agreed on. In an age of Craigslist Missed Connections and the disconnect between people, this joyous song about the potential connections is a love song for the person you haven’t met yet. Starting with a groove bass, handclaps and “SB” chant, the electronically strained vocals through the verse beg for a balance with another person (“I need a warm hand to cool me down/I need a soft voice to drown me out”) moves into the chorus about a boy on a bus watching a girl, who is simultaneously telling her friend that he doesn’t care. When the bass line undulates and crashes into the triumphant refrain of “the things that we could share,” if you’re not dancing, you’re not breathing. Honorable Mention: “Far Away” (In Ghost Colours) by Cut Copy.

Jessie’s Picks: 1) “The Things That We Could Share” Groove Armada, Soundboy Rock. 2) “Watch As They Go” (Other People) by American Princes

May: “Winds of Change” (The Show) by EMC. Leave it to a super-group of hip-hop mainstays to write a love song to hip-hop that can surely stand as a classic. With an old static laden and sped sample singing, “Winds of change, that blow forever” EMC rips off a masterpiece devoted to the past, present and future of hip-hop, while never forgetting the overall perspective of fleeting life and inevitable change. Subjects like evolving music (MJ to Usher), technology (Beta to DVD), and clothes (Osh-Kosh to Phat Farm) are all well and good, but the highlight of this track is the last verse that takes a sad hindsight view of a hip-hop career from an old age perspective (“Holding the picture frame wishing that we didn’t age”) and the unfortunate decay that it can bring (“At 55 started forgetting lines, mumbling rhymes.”) As the rap moves to talking about freestyling with his grandchild, the song becomes both melancholy in its reminiscence and happy in the remembrance of the experiences. Honorable Mention: “Mathematics” (The Fashion) by The Fashion

Jessie’s Picks: 1) “27” (Butter and Gun$ EP) by Blue Scholars 2) “O Samba Tai” (Carolina) by Seu Jorge

June: “Watch Out (Remix)” (The 3rd World) by Immortal Technique (click here for exclusive interview). Sounding incredibly sharp over a beat that samples from the Apocalypse sounding symphony from the central battle scene in Star Wars Episode 3: Revenge of the Sith and polished Green Lantern production, Immortal Technique barks through this track that cements his status as one of the most lyrically intelligent and delivery potent rappers around. Starting with his album sales off just a Source magazine quotable and moving onto direct attacks on the music industry (“they push pop music like a religion/anorexic celebrity driven, financial fantasy fiction”) and American government, Tech doesn’t take pause for a chorus here, but why bother when you can deliver like that for two and a half minutes straight? When he ends the song with, “I need more than advancements and a rented mansion,” you know that he means it, and doesn’t care who he pisses off in the process. Honorable Mention: “Let the Beat Build” (The Carter III) by Lil Wayne

Jessie’s Picks: 1) “Reverse Pimpology” (The Third World) by Immortal Technique 2) “Dance Dance Dance” (Youth Novels) by Lykke Li

July: “Sittin’ On Chrome (Mr. Flash Sittin on Cr02 Remix)” (Delicious Vinyl: Rmxxology) by Masta Ace. This revamped version of the old school Masta Ace song is given all sorts of synths and electronic overtone. The verses get a video game-like sound backdrop with a fast dance beat. When the hook drops, the whole song slows down and the sample carries it. Honorable Mention: “Built to Last” (Coup de Theatre) by Haiku D’Etat

Jessie’s Picks: 1) “Desperada” (Jeanius) by Jean Grae. 2) “GFC” (Como Te Llama?) by Albert Hammond Jr.

August: “Zhaoderen Nana” (Introducing Hanggai) by Hanggai. Another point of agreement with the roommate, Hanggai’s mixture of traditional Mongolian folk music and Western influences gripped us at the end of the summer and made for great lake music. The use of a an upbeat throat singer here and a rollicking strumming are contrasted with moments of full percussion. You’ll have to listen to get it. Honorable Mention: “Not Gonna Teach Your Boyfriend How to Dance With You (The Twelves Remix)” (Partie Traumatic) by The Black Kids

Jessie’s Picks: 1) “Zhaoderen Nana” (Introducing Hanggai) by Hanggai 2) “Not Gonna Teach Your Boyfriend How to Dance With You (The Twelves Remix)” (Partie Traumatic) by The Black Kids

September: “Transitional Joint” (The Preface) by eLZhi. (full interview here) Beautiful production and a perfectly placed “just because of love” sample back Detroit’s eLZhi as he dissects relationships and the process of moving on from a failed one. Without ever losing a positive outlook, the lyrics don’t dwell on the past, but always look forward to that next glow. eLZhi acknowledges the sour experience of “rolling snake eyes” without losing sight of the feeling of “missing her like when the summer’s gone.” The delivery from verse to chorus are sensational and the beat is addictive. Honorable Mention: “Ship” (Purpleface EP) by Throw Me the Statue (interview)

Jessie’s Picks: 1) “Girls and Boys In Love” (Girls and Weather) by Rumble Strips 2) “Honeybee” (Purpleface EP) by Throw Me the Statue

October: “Please Believe” (unknown) by Longshot. I’d give you a breakdown of this very solid hip-hop track, but you can click on this link and go listen to it yourself! Huzzah! Honorable Mention: “Electric Feel” (Oracular Spectacular) by MGMT

Jessie’s Picks: 1) “Sadie Hawkins” (Doomtree) by Doomtree, (interview) 2) “Electric Feel” (Oracular Spectacular) by MGMT

November: “Trail of Lies” (A History of Violence) by Jedi Mind Tricks. With a South American melody and lo-fi beat, this offering from JMT’s sixth studio album examines lies perpetuated by the government and mass media, among others. The gruff voice of Vinnie Paz and the lyrics about a system in severe trouble make for a socially conscious song steeped in conspiracy theories. Honorable Mention: “Signs” (Intimacy) by Bloc Party

Jessie’s Picks: “Don Julio” (Vulture’s Wisdom, Vol. 1) by Opio 2) “Trail of Lies” (A History of Violence) by Jedi Mind Tricks

What I'm Hearing, Vol. 7

Did you miss last month’s tasty audio? Never fear, click here.

October’s iPod update is a fantastic affair featuring 79 songs. It had a few older singles that I was recently turned on to, as well as some excellent new music from various genres. As we head towards the end of the year, keep your ears on for some of the huge and blockbuster album that are sure to be coming at us as the holidays approach.

Apollo Sunshine, Shall Noise Upon: This is the 3rd offering from Apollo Sunshine, a northeast trio that has made a habit of infusing new indie and rock music with retro themes. The light melodies and easy vocals go hand in hand with melodic and uplifting musical flourishes. Steely guitar in places, harmonized singing, use of woodwinds and basic drum beats can range in style here from unapologetic roadhouse rock songs (“Brotherhood of Death”) to melancholy drifters that border on an old Western soundtrack (“Fog and Shadow.”) But regardless of the style they employ, from top to bottom Apollo Sunshine has crafted an album that feels right on all levels. Don’t Sleep On: “The Funky Chamberlain (Who Begot Who),” “Money,” and “The Mermaid Angeline” which should find its way to a Wes Anderson film at some point.

Black Milk, Tronic: Rather than repeat anything about this album here, click this link for the album review.

Devin the Dude, Landing Gear: On his 5th album, Devin the Dude takes his recognizable laid back flow and infuses his beats with a bit more pop and energy than in previous outings. Never one to take himself too seriously, though, Devin slides through these tracks with ease, his voice consistently feeling like warm tea to a sore throat. Where other rappers yell, the Dude whispers, and where others bark, he glides. The best parts of this album are where DD doesn’t stray too far from this ideal, keeping mellow beats and silky smooth vocals on tracks you can kick your feet up to. His lyrics are simple and easy to understand, and the delivery makes you feel like DD is rapping right in your living room. Don’t Sleep On: “I Can’t Make it Home,” “Highway,” and “I Need a Song.”

Jake One, White Van Music: On his first solo album, Jake One takes hip-hop by the ears and shakes it around. The beats here are varied and layered, showing fantastic production ranging from deep bass rider tracks to spaced out 90s gangsta rap cuts. Some focus on pleasant vocal samples while others rely on heavy hitting beats. The strongest point of this album is that it never falls too far into one hip-hop genre over another… Jake One uses them all to great effect. Joined by a crew of well known rappers (Busta Rhymes, Black Milk, M.O.P., Brother Ali, Little Brother, Posdnuos, MF Doom, Casual, eLZhi, Pharoahe Monch, Kardinal Offishall, Royce da 5’9″ and Keak da Sneak) Jake One makes his debut album a memorable one that should be considered as one of the best complete hip-hop albums of the year. Don’t Sleep On: “Home,” “Soil Raps,” and “Oh Really.”

Doomtree, Doomtree: Click here for my interview with Doomtree. Doomtree seeks to answer the question, “What do you get when you mix 5 very different MCs with 4 very different DJs?” And it appears from their debut album that the answer is everything. On this lengthy and diverse 21 track freshman album, this group out of Minnesota spans the genre of hip-hop, never afraid to bring in something different or new. While some tracks stick to the straight ahead style, others incorporate sounds of rock or jazz. With the various artists on the mic, you can often forget that you’re still listening to the same album. If there’s one drawback to the diversity here it’s that there is never one coherent image or sound that defines the group, although, one would think from the presentation that that’s exactly how Doomtree likes it. Be on the lookout for solo albums from this collective in the months to come. Don’t Sleep On: “Sadie Hawkins,” “Gameshow Host,” and “Kid Gloves.”

Madlib, WLIBAM – King of the Wigflip: Madlib’s influence in hip-hop over the past decade has been pronounced. Through collaborations with J Dilla, Mos Def and De La Soul among others, Madlib has created a body of work that touches just about every corner of the hip-hop genre. Never afraid to branch out with a new sound, Madlib seems to draw his best work from never settling into one role, and never fearing to tackle all aspects of the production process, from DJing to MCing. This album is the latest in the “Beat Generation Series” from Barely Breaking Even Records which has previously seen incarnations under the hands of J Dilla, Marley Marl, DJ Jazzy Jeff, will.I.am and King Britt, among others. While I honestly couldn’t get into the entirety of this album, there are a few tracks that demonstrate that whether you like everything he does or not, Madlib remains on top of his game and respected by his peers. Don’t Sleep On: “The Thang-Thang,” “Blow the Horns on ‘Em,” and Go!”

Singles: These songs didn’t get full write-ups as part of an artist or album, but they are excellent singles nonetheless. “Electric Feel” by MGMT, “Please Believe” by Longshot and “Paper Planes (DFA Remix)” by MIA.