.Evolving Music.

MobBase is again proving the market for iPhone applications that connect musicians with fans, more than doubling the number of apps released in just the past month. MobBase is the new service that makes it easy for musicians and music companies to create, launch and manage their own, custom iPhone applications.

“The MobBase adoption curve is getting steep, fast,” said Charles Feinn, CEO and co-founder of MixMatchMusic, MobBase’s developer. “It took about 90 days to launch the first 50 apps and just 30 days to get to 107. It’s more clear with every day that artists are adopting mobile apps to help build their careers, and that they choose MobBase as the fast, easy and inexpensive way to get their own app.”

MobBase is a low cost way for musicians to share music, photos, videos, tweets, news, information about shows, merchandise and other content with fans on their mobile devices. MobBase apps are priced for starving artists and also artists who remember what it is like to starve, with many artists paying as little as $0.50 a day for their own custom iPhone app.

Prominent artists including Pepper and Everclear are among the bands that have built and launched their own MobBase apps. Feinn said growth is also coming from long tail artists, such as Tribal Seeds, Cash Lewis, NatStar the King, Radagun, Supreme The Eloheem, and indie label, Let It Burn Records. The MobBase platform has also been used to create the official iPhone app for Showtime’s Nurse Jackie soundtrack.

MobBase is a great solution for established acts,” Feinn said. “It’s also a fantastic solution for artists with small but devoted followings who are making music for the love of music. The extremely low price, the super ease of use and the ability to customize it to reflect your own look and feel makes it perfect for artists in the long tail.”

Music distribution powerhouse, IODA, and indie labels including Silverback Music/Controlled Substance Sound Labs, SMC Recordings, Welk Music Group, Vanguard Records, Sugar Hill Records, Town Thizzness, Red Bull Records, Sargent House, and 429 Records are offering MobBase apps and promoting MobBase to their artists.

Feinn said there have been more than 60,000 installs of MobBase apps by fans.

A year and a half ago I wrote a post about the Top 5 Music Discovery Sites. A lot has happened since then: MySpace acquired iLike, MySpace acquired (and buried) iMeem (and then brought back their users’ playlists), Google Music Search was born, and the mobile music space exploded all over us thanks to the iPhone and the whole new world of opportunities now open to iPhone app developers… to name just a few things.

So, what are the best options available for music discovery right now? Here is my updated list:

Pandora
The customizable internet radio station that knows your musical taste so well it’s just plain creepy. Assuming you use Pandora somewhat actively, i.e. click the thumbs up/thumbs down buttons or suggest songs, the service is shockingly adept at playing music you will dig. Cool features like station gifting and the ability to share songs via email, Twitter, or Facebook give it a social slant. Links to iTunes and Amazon let you quickly purchase songs for your personal collection. And of course, if you’re striving for musical snobbery, Pandora not only tells you all sorts of fun facts about the artist, the album, or the song, but also explains (in terms probably only the serious musicologists among us would understand) exactly why it recommended a particular song. Oh, and Pandora is coming soon to a car near you.
Mobile Status: Android, Blackberry, iPhone, Palm, Windows and more.

thesixtyone
Our current favorite place to discover sick ass new music is thesixtyone, which purports to make music more democratic: “artists upload their work for review, but, rather than allow a stuffy suit in a boardroom to decide what’s good, thousands of listeners do.” The site also rewards listeners who are active participants by allowing them to “earn reputation, level up [their] influence, and collect badges,” making it almost like a Yelp culture for music fans. You can connect your account to Facebook, share what you’re listening to etc. If you’re an artist planning to put your music on t61, here’s what you should know.
Mobile Status: Nothing yet, but fans are chomping at the bit (check out the comments on their Facebook note.)

Midomi and Shazaam
I’m grouping these two together because they are different versions of the same thing. While Shazaam seems to have the most traction (likely due to its simplicity and clean look and feel), Midomi has more features. It can recognize not only that song playing on your car radio, but also singing, whistling, and humming. Although it’s very gratifying to instantly identify a song you hear, the real power in this technology lies in the actionable options presented along with the search result. Once you’ve identified the song, you can buy it, share it, watch the video etc.
Mobile Status (Midomi): Android, iPhone, Nokia, Windows.
Mobile Status (Shazaam): Android, Blackberry, iPhone, Nokia.

Grooveshark
First of all, let me just say that I am not a fan of the current design. Specifically, it’s the sidebar on the left that I find very aesthetically displeasing. Besides that, however, Grooveshark is a very cool service. You can upload your own music collection and stream it from wherever. Or search for music and stream it instantly. Of course it has all the social goodies as well, including embeddable widgets for your blog.
Mobile Status: Android, Blackberry.

Hype Machine
This clever little site is a music blog aggregator. As they say, “every day, thousands of people around the world write about music they love — and it all ends up here.” Go ahead. Nerd out. Worth mentioning, also, is RCRD LBL, which is a “network of ad supported online record labels and blogs offering completely free music and multimedia content from emerging and established artists.” Yes, free mp3s.
Mobile Status: iPhone app in the works?

Honorable Mentions:

Blip.fm
Blip.fm is essentially Twitter for music, allowing you to share tracks (along with brief comments and messages) with other users in a real-time stream. Naturally, it’s also integrated with Twitter and Facebook, so you can showcase your awesome musical taste by becoming the DJ and showing off your skillz. Or, you can use the service as a music discovery tool by listening to other DJs.
Mobile Status: iPhone (“Boombox Pro”)

Amazon Music
Amazon created a lot of buzz early on with their recommendation engine for books and things. Why shouldn’t it work just as well for music? Turns out it does… In fact, it’s a pretty solid option. You can listen to samples, plus do all the usual nifty Amazon-y things.
Mobile Status: iPhone

JamLegend
While JamLegend (the computer nerd’s answer to Guitar Hero & Rock Band) is first and foremost a game, it’s also a totally viable place for music discovery. As you sort through featured or new artists and songs, you might just stumble upon some great new stuff… You might also get sucked in and spend 12 hours pressing the 1, 2, and 3 keys on your keyboard. Consider yourself warned.
Mobile Status: JamLegend hasn’t gone mobile, but RockBand has an iPhone app, and of course there is Tap Tap Revenge (the Guitar Hero-style game).

How will YOU discover new music in 2010?

SF MusicTech has come a long way since its inception less than two years ago. It’s kind of a big deal now – even Google was there this time. The media has become increasingly interested in the discussions happening at SFMT since they happen, you know, at the bleeding edge of music/tech. Naturally, SFMT founder – the ineffable Brian Zisk – is more than happy to chat with the cameras. You can truly see the passion in his eyes and hear it in his voice. This guy is the personification of music/tech.

If you’re new to Evolving Music or SFMT you might want to read our reviews of the previous four summits below for some context.

SanFran MusicTech Summit 1: Rockstars, Lawyers, Nerds and Me
SanFran MusicTech Summit 2: Guestlist Wish, Artist Activism, and Label Survival
SanFran MusicTech Summit 3: Albums Die, Social Media Kicks Ass, and Songs Find a Home
SanFran MusicTech Summit 4: Singalongs, Video Interviews, and Twitter Gossip

Google’s involvement this time around could be the harbinger of a new chapter in the music/tech saga. With their recent foray into music search, Google has presented the confused and conflicted music industry with a powerful new ally. While their new service is definitely still bumbling about in the dirty diapers of its infancy, it’s clear that Google has grand plans for it. At the summit, they emphasized a “search-driven, partner-delivered” strategy.

Another theme, especially among the geekier of the attendees, was that APIs can set you free. Not only do APIs enable the ever-increasing plethora of clever mashups out there (e.g. JamBase + iTunes music library = iConcertCal) to be born, but ultimately they help blur the line between content and context and serve up what the end-user has (knowingly or unknowingly) wanted all along: cool ways to experience music.

Whereas social media was a big talking point at past summits, it seems now to be a foregone conclusion. It’s not about convincing music people they need to use social media. Everyone pretty much gets that now. And if they don’t… well, “If your label and your manager don’t get digital or social media, FIRE them,” was one way to put it. Here’s another savvy social media quote overheard by the Hypebot folks: “Facebook doesn’t need a music strategy, music needs a Facebook strategy.”

The always cool Pandora admitted to working on what will hopefully be built-in Pandora capability in cars. Plenty of auto makers already offer built-in iPod adaptors. Why not built-in Pandora?

In addition to Google, a host of other cool sponsors were to thank for SFMT #5. Of note: Heatwave Interactive, which is seeking to “fundamentally revolutionize the entertainment landscape by creating innovative cross-media properties for gaming, film, music and television,” the web domain extension dotMusic, which is exactly what it sounds like, and Collecta, which offers real-time search through popular blogs and social media.

Once again, the SanFran MusicTech Summit brought together the thought leaders of music, tech, and that living breathing intersection of the two for hours of heated debate, deal-making, and good vibing. One can only wonder what cool new ideas and companies will be born as a result of conversations had and relationships built that day.

Have you heard of the Crunchies? As stated on the website, they “are to technology what the Oscars are to Hollywood.” This event is co-sponsored by GigaOm, VentureBeat and TechCrunch and for all of us start-ups, being considered for an award gives us some nice exposure. And the chance to win!

This is where we need your help. It literally only takes a few seconds, and you can vote everyday. You have until Friday, December 4th, but instead of putting another item on your to do list, why not just nominate us right now?!

If you want to be even more awesome and help us get the word out – or if you are a social media geek and can’t help but document your every move – you can easily broadcast your nomination on Twitter and Facebook or embed a voting badge on your blog (like we did below). Thanks!

MobBase is up for Best Mobile App:
And MixMatchMusic is up for Best Boot-Strapped Startup:

Is there anything that Google can’t do? At least when it comes to search, the answer appears to be no. The behemoth has now teamed with, you know, pretty much all the big players in the music industry to bring us the sleekest and simplest way to search for and discover music. We’re talking Lala, Imeem, MySpace (which has now aquired iLike), Pandora, Rhapsody, and the major labels.

Enter Google Music Search.

Though currently only available in the US (due to licensing and what not), the music search capability is already integrated into Google search, meaning you just search like you normally do. When you search for a song, an artist, random lyrics, or an album, Google will bring up streaming links -- similar to what Seeqpod did before it hit some legal speedbumps and (allegedly) got bought out by Microsoft (when you go to their website it redirects to Bing). Additionally, you can easily click through to one of the partner sites to to access info about the artist, buy the song, check out lyrics etc.

Apparently, music is way up near the top of the list of what people search for. Google would know. The problem was it just took too long to get to get there. Now, just as with everything else that Google touches, music search has become simple and elegant.

It is well known that over the last 10 years the barriers to making music have been shattered by highly effective, and cheap, music making software. Musicians now have many great resources when it comes to digital studio software and online collaboration and production tools. And, as music making technology continues to spread and becomes easier to use, even fans have entered the music making process by remixing and collaborating with their favorite artists.

The next step in the evolution of music production very well may be mobile music making, and while many mobile music tools have been released in the last several years, IK Multimedia’s GrooveMaker may be the most effective. After the success of their first four applications released last August, IK Multimedia has put out two new versions of their GrooveMaker music production apps. The new GrooveMaker Techno and GrooveMaker Trance add to IKM’s existing genre collection of House, Hip-Hop, and Club. If you get the itch to make some beats on-the-go, these apps allow users to create and share full length, non-stop tracks in real-time, perfect for DJing, remixing, or creating multimedia soundtracks. Pretty sweet, eh?

The GrooveMaker apps contain advanced remixing software that allows for control over eight stereo loop tracks. Users can pull from GrooveMaker’s extensive library of high sound-quality drum, bass, bass drums, lines, pads, percussion and effects loops, and loops are easily arranged by dragging and dropping. GrooveMaker’s randomization feature lets users create millions of possible grooves with just one touch. Once a user is done with their jam, tracks can be saved, previewed, recalled, and exported as .WAV files to a computer through a Wi-Fi network.

While GrooveMaker Techno and GrooveMaker Trance are available in the iTunes App Store for $9.99, IK Multimedia has given us a few copies to give out for free! The first four people to tweet out “I dig the GrooveMaker iPhone app and @EvolvingMusic!” will get a free copy of the GrooveMaker app. Or check out GrooveMaker’s fully functional basic version, available for free on iTunes. And to check out audio demos, visit GrooveMaker’s website.

Curious to learn more about music making on the iPhone? Read this.

Calling all DJ’s, Producers and Recording Artists!!

Talenthouse is partnering with MixMatchMusic’s online remix technology to give you the chance to remix Photek’s track and submit it to Talenthouse for a chance to be on an upcoming Photek release. For all of you Drum & Bass lovers out there, here’s your chance to help Photek finish a song! Photek, who has been producing and spinning creative drum and bass since 1992, is looking for dubstep and 4 to the floor remixes of his Drum & Bass track, “Fake ID”. He’s asking creators to produce a banging track that people would want to hear in a club. Our friends at Talenthouse say that they’re not looking for Photek clones, but for people to be original. Can you dig it?

If your remix is selected by Photek and the Talenthouse community, it will become an official Photek release and you will be credited in full as the official remixer and receive full promotion and distribution.

How to participate:
The Photek “Fake ID” remix contest can be found on the Talenthouse website as well as in a Remix Wizard that has been setup for the contest.  Stems can be downloaded from either place, but please be sure to upload your remix to both places. If you don’t have any music making software, you can use MixMatchMusic’s MixMaker to make your own remix online! For a complete list of rules and requirements, check this.

Who is Photek?
Although Photek is recognized as one of the founding pioneers of Drums and Bass, what sets him apart from the crows is his amazing ability to take the signature Photek sound to different places, outside the D&B genre.

While on Virgin Records, he managed to chart some of the most groundbreaking music into mainstream consciousness with the albums “Modus Operandi” and “Solaris”. His singles have spanned the full spectrum of electronic music, with straight up club hits like “Mine To Give” to the most legendary & abstract “Ni Ten Ichi Ryu”. It is this versatility and originality that has made Photek a favorite among artists such as Trent Reznor, Andre 3000, Bjork & David Bowie.

Originally from London, Photek is now based in Los Angeles where he finds himself evolving into an ever broader range of music through film music and artist collaborations. The UK/USA connection seems to have worked out perfectly for Photek, with the “Love & War” named Single Of The Week on BBC Radio 1 in London and his mixes of NIN’s “The Hand That Feeds” a hit on KROQ in Los Angeles.

Here’s a little taste of some of Photek’s remix, production, and score credits:
Nine Inch Nails, David Bowie, Bjork, Gwen Stefani, Goldie, Zero 7, Shy Fx/Elephant Man, Everything But The Girl, Roni Size “Reprazent”, Beth Orton, Attica Blues, London Electricity, Bumblebeez, Therapy, The Faint, Ringside, Jem, Rairbirds, Craig Armstrong, M. Night Shyamalan’s – Signs, Six Feet Under, The Matrix – Animatrix, The Italian Job, Stay, Invincible, American Wedding, Dreamland, Blade, City Of Industry, Raising The Bar.

After carefully reviewing the 49 remixes submitted to their Blazed and Confused at 2 Am Remix Contest, Slightly Stoopid have picked the winners! As part of the contest, Slightly Stoopid invited fans to remix their song 2AM using MixMatchMusic’s Remix Wizard, while the band was on the road for the Blazed and Confused tour. Thanks to everybody that participated, there’s so much talent out there! Some of the remixes were pretty mellow, others were upbeat, some more hip hop influenced, a lot of reggae, some cool sound bites… all in all some really great stuff.

But, there was one remix that really caught the attention of Slightly Stoopid and stood out above the competition. Congrats to icehouseindustries for winning the remix contest! His remix was chosen by Slightly Stoopid as the grand prize winner! Check it out…

Icehouseindustries will receive a HUGE prize pack that includes a set of the new Slightly Stoopid branded headphones (Skull Candy); an autographed Stoopid poster; 2 tickets to the next Slightly Stoopid concert in their area; a limited edition Slightly Stoopid branded glass pipe; CDs of Slightly Stoopid’s entire discography & Chronichitis vinyl; a copy of Slightly Stoopid Live in San Diego DVD; and the icehouseindustries remix will be posted for streaming on Slightly Stoopid’s Website, Myspace, Facebook, and their theSixtyOne.com page.

There was also a prize for the fan favorite, for the remix that received the most fan votes. Congrats to Karma for getting the most fan votes for his unique remix that brought a grooving lounge sound to 2am, complete with funky flute, saxophone and jazz guitar. His remix definitely caught a lot of attention. Karma wins a set of the new Slightly Stoopid branded headphones (Skull Candy) and a limited edition Slightly Stoopid branded glass pipe. Saaawwweeeet!!!

Make sure to check out some of the other remixes submitted. I’m a fan of NotoriAce’s remix and all of the different levels and genres used, as well as We Like it Edgy out of Galashiels, Scotland’s “2am edgy remix”. Also, I’m kinda diggin’ the use of Daydreamin’ by DJ Devan Air and Biggie Smalls in Will Becker’s mash-up. And, big ups to Gravity Terminal for his electro-dub version of 2am. Click the image below to check out all of the submissions. While you’re there, be sure to browse the Remix Wizard site to find other remix opportunities and to see how you can host your own remix contest using MixMatchMusic’s FREE remix contest platform.

{For the music I was listening to in July, click here.}

Well, once again I’m a bit tardy and we have the music I was listening to in August being posted on the first day of September. But, better late than never, and the August music, while a bit late, is pretty spectacular. The August iPod update covers 94 songs from 7 artists (yes, a lot of full album downloads this month), and stayed largely (and surprisingly) away from Hip-Hop. So, without further ado, here’s what I’m hearing lately.

As Tall As Lions, You Can’t Take it With You: Having been kicking around in various formats since 2001, ATAL has released their third album. The band, originally from New York but recording a good portion of work in Chicago, flirts with rock, Indie and folk in darker soundscapes. The sometimes low, sometimes high or falsetto voice of lead singer Dan Nigro works with lyrics often dealing with depression or anxiety over brooding tracks. Through all of these songs, a feeling of being trapped somehow persists, with snips of guitar rifts floating through deep bass lines or horns whispering in the background. But despite this, the melancholy at times reaches crescendos that speak of freedom through misery. At other points, ATAL is a runaway train of energy on a track like “In Case of Rapture,” where the drums keep a frenetic pace. Don’t Sleep On: “Sixes and Sevens,” “We’s Been Waitin,” and “Home Is Where You’re Happy”

Beats Antique, Tribal Derivations: Fusing old and new, Beats Antique uses World and specifically Eastern-inspired music while adapting it to Western downtempo, glitch and hip-hop. Indian chants, thick stand-up bass, lightly picked harps, sitars and other string instruments are thrown in the pot with tablas and hand drums, frequently to be sprinkled with drum machines and electronic effects. The result is an album with driving, lounging or club music. In some cases you can imagine the hookah smoke drifting around you as dancers move slowly to the tunes, while in others you can imagine a dark lounge. On “Derivation,” they take portion of melody from “Summertime,” and pepper it with a digeridoo and deep drums. If you’re a fan of World music, this is an album for you. Don’t Sleep On: “Derivation,” “Intertwine,” and “Discovered.”

Fruit Bats, The Ruminant Band: After working on the fringes of music, Eric D. Johnson, the frontman of the Fruit Bats, signed with Sub Pop in 2002 and have been labeled by music publications as “Zoology Rock,” “Boot-Gazer,” and “rustic pop.” The Ruminant Band is their 5th studio release and offers a sunny panoply of pastoral and easy to listen to (which is not the same as easy listening) rock tracks that feel like they could have come out of another era. Up-beat acoustic guitars back moving guitar riffs, piano dances playfully across the spectrum and Johnson’s voice, high and plaintive, is reminiscent of some of Led Zeppelin’s tracks. The tracks are on the shorter side, content to bring the listener along, get the idea across and move onto something else without brooding on one sound. An upbeat album perfect for a ride or camping trip, early mornings in the sunshine and dusty backroads. Don’t Sleep On: “Beautiful Morning Light,” “Primitive Man,” and “Singing Joy to the World.”

M.R. Shajarian, Night Silence Desert: Where Beats Antique took traditional music and mixed it with new themes, M.R. Shajarian stays strictly classic here in his World music. The tracks are light on percussion and heavy on atmosphere, with songs that feel as if they’re literally drifting away into the night of a desert. The instrumentation is skilled, an almost Middle East Béla Fleck sound permeating many of the tracks. Don’t Sleep On: “Silence of the Night (Sokout-e-Shab),” “Rain (Baroun),” and “Setar Instrumental (Torgheh)”

The Morning Benders, Talking Through Tin Cans: Berkeley natives The Morning Benders, who recently garnered “Best Of” for a local band in the yearly San Francisco round up are a pleasant mixture of rock and Indie pop without trying to be too much of either. The songs are laid back and pleasant melodically. Simple drums, guitars, a Rhodes and tambourines paint a picture of sunny California in much the same way the Beach Boys did, but with urban flare and a nod to slightly less-polished pop. Like the Shins without the depression, The Morning Benders are a group to keep an eye out for over the next few years. Don’t Sleep On: “Waiting for a War,” “Boarded Doors,” and “Wasted Time.”

Oumou Sangare, Seya: Hailing from Mali, Sangare weaves traditional African hunting songs with lyrics of social criticism attacking the position of women and marriage in the society, among others. Seya is her first album release since 2004 and it is full of sound. The rhythms and melodies of her native land meet superbly with her voice which is smooth and slightly musky. The arrangements are lively and moving, and as her voice soars over the songs, you don’t need to speak her language to hear her emotion. Don’t Sleep On: “Kounadya,” “Senkele Te Sira,” and “Wele Wele Wintou.”

Owl City, Maybe I’m Dreaming/Ocean Eyes: Adam Young is the one man behind Owl City. He started making music to combat insomnia, and the tracks carry an energized dreaminess that speaks to the line between dusk and dawn. Fans of Postal Service will recognize his electric and synth symphonies, while fans of Death Cab for Cutie and Postal Service will find in Young an eerily identical voice to Ben Gibbons. Young is soothing, his melodies are light and sound pure, and his balance between sweet sentimentality and sad longing creates almost a joyous balance between joy and pain. For some, these tracks might be too syrupy, but for others, a slightly more electronic and upbeat Postal Service will be just the delivery they need. Maybe I’m Dreaming is a 2008 release and Ocean Eyes from 2009. Don’t Sleep On: “Fireflies,” (video below), “The Technicolor Phase,” and “On the Wing.”

Heads up fans, producers, and DJs! We’ve got a brand new remix contest for all of you looking for new and impressive ways to participate in the creative process and show off your DIY skills. MixMatchMusic has joined forces with Bay Area rapper Lyrics Born and eyewear company Sutro Vision to bring you a chance to remix Lyrics Born’s newest single, a re-union track with the other half of his Latyrx duo, Lateef the Truthspeaker, called “Pushed Aside, Pulled Apart.”

“Pushed Aside, Pulled Apart” will be appearing on both Lyrics Born’s upcoming Variety Show mixtape and the studio album he has due in 2010. The track utilizes female vocals, synths and moving drum and clap percussion to frame uptempo lyrics from Born and Lateef surrounding the decisions and choices they’ve been faced with making for their careers. Check out the video for the single below.

In an effort to engage and interact with fans, as well as contribute to the growing number of artists allowing fans to remix their work, Lyrics Born has loaded the stems to “Pushed Aside, Pulled Apart” into the MixMatchMusic Remix Wizard and has given you two options for making a remix: Either download the stems for free and use any software you want, or just click on the MixMaker button on the widget to make a remix in MixMatchMusic’s simple online music editor. If you’ve never experienced remixing before, or just want to see how the song was made, check out the MixMaker. Once you’ve completed your remix, upload it so that others can listen to, vote on and share it.

So what will you win? From the entries, Lyrics Born himself will be picking three winners – a grand prize and two runner-up prizes. The grand prize winner will receive a pair of Lyrics Born signed Sutro sunglasses (these shades are sweet!), autographed copies of the entire Variety Show catalog, a Lyrics Born T-Shirt, 2 free tickets to any Lyrics Born show, a meet and greet with Lyrics Bron at said show, and their track featured on LyricsBorn.com presented by Lyrics Born himself.

The 2 runner ups will each receive a pair of Lyrics Born signed Sutro sunglasses (he will sign the case), a copy of the new Lyrics Born Variety Show mixtape, a Lyrics Born T-Shirt and 2 free tickets to any Lyrics Born show as well as their remix featured on LyricsBorn.com. The official rules for the contest are available here.

So what are you waiting for? The contest starts today (Tuesday, August 25th) and runs through Friday September 25th. Tune in, sign on and start mixing!